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In the second part of the bold, blasphemous trilogy by Virginie Despentes we find, around the now homeless, central hero, many characters that make up the colorful mosaic of the Parisian fringe.
“We got into the Rock as everyone else got into a cathedral; Vernon, do you remember this? And our story was a journey beyond. Ή And our story was a journey to infinity. There were saints everywhere, and we did not know in front of whom to kneel to pray.”
In the second part of the bold, blasphemous trilogy by Virginie Despentes VERNON SUBUTEX that shook the waters of French literature, we find, around the now homeless, central hero, many characters that make up the colorful mosaic of the Parisian fringe. Again, Despentes gives a stunning mural of our Inhuman Comedy with realistically blunt language.
Precise, witty, uncompromising.
A stunning social x-ray, fast, raw, exuberant, and above all, highly incarnate.
An explosive comeback, which gives us great pleasure.
We suspected that Despentes could do a great mural, but we didn’t know she could do it with such grace.
Pages violent and velvety, like torn silk.
In this painting of a France descending into hatred and insecurity, Despentes reaches the pinnacle of her art.
A human comedy of today, which Balzac would be happy to read.
Magnificent and dazzling. A work of art.
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Virginie Despentes
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