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“Frog’s Strech” records the unexpected but utterly possible meeting of two seas, the Arctic Ocean with the waters of the Mediterranean and their people. The author’s reading freedom leverages free association, and humor bores into the work that, above all, is a festival of language.
A product of extreme will and absolute availability to the fictional power of chance, “Frog’s Strech” records the unexpected but utterly possible meeting of two seas, the Arctic Ocean with the waters of the Mediterranean and their people. In addition, John Gabriel Borkman intersects with the Hydriot sailors, neuroscience with hermeticism, Yorick’s skull with the Norwegian miners, and an amphibian that transforms into a parrot and vice versa on the margin of this encounter. The author’s reading freedom leverages free association, and humor bores into the work that, above all, is a festival of language.
Roula Georgakopoulou confronts the unspoken by building a world that linguistically balances the conscious and the subconscious, manages to masterfully combine a mosaic of Buñuel-inspired connotations, and deconstructs space-time into a narrative where present and past converse, intersect, redefine.
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Roula Georgakopoulou
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